Looking good Dave!
It's indeed a kind of specialized way on how to approach it.
And I don't know if I mentioned this already: with capturing the moon with a mineral moon processing in mind, it's best to be a bit on the lower side in the histogram than normal. For this one you were on Mean 57, so with a next try you could go for example to Mean 50 or maybe lower. This way you have some more headroom in processing because the color saturation is a kind of stretching.
Menno
Meade LX200 8" f/10 ACF OTA / Ioptron CEM25EC / Zwo ASI071MC Pro / Zwo ASI482MC
"...Microsoft Image Composite Editor stitching results in the greenish images..."
When I saw this I did a double-take. Then raised an eyebrow. I've been using ICE all the was back when it was supported by Microsoft. I never noticed the green tint. And it's not subtle.
I used this stock photo to test. I created two mosaic panels and then merged them. The left image is the mosaic stitch by ICE while the right is the original.
The result was a blue/red suppressed image. It's most notable on the left cheekbone of the woman on the left.
I stumbled on some image size oddities in ICE, too. I need to look closer at my process on the split image here and dig into the other oddities. If I find something meaningful, I'll post on Cloudy Nights.
Thanks for making me aware of ICE's bug.
Joe
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