Apologies accepted
And here my apologies to you: I don't have many answers because actually I don't know what I am doing. Sounds weird but it's true. So, take a seat and read
I know basically that FWHM has something to do with sky quality, I know what arc sec per pixel means, and so on. And I tried to put that knowledge into practice .... but that made it boring for me. Working the numbers took the fun right out of it for me.
So, I act on gut feeling. I know the basics of AP, learning more each time and I do what feels right and what produces a test capture that feels and looks good to me. I experiment a lot. Just like my fractal art: I have absolutely 0% knowledge on the fractal formulas, don't know zip about their working. Yet I make stunning stuff (not my words
But here the things I can answer.
I tried to use the Brain multiple times but always it's giving advise that is too dark for me. I think that's purely due to all the factors combine: the Brain measures a specific thing but doesn't take things like equipment and so on in consideration.
I also did try (and have) a reducer. Also here: I did notice the bigger FOV and somewhat shorter exposure times. But how to "translate" that into values: no idea. I did notice though that the un-reduced FOV appeals way more to me.
My unguided exposures I just measure with a star and the cross hair overlay: while capturing, I zoom in like 400 to 500% and have 1 star in the cross hair center. The CEM25EC mount has the possibility to manually alter the sidereal tracking rate, so I adjust that according on how much shift I see with the movement of that star in the cross hair. And if the polar alignment is off by a fraction, I adjust that on the fly, again according to the shift of the star in the cross hair. This whole process takes around 10 to 20 minutes and after that, the star doesn't move anymore. Okay, a tiny bit under 500% zoom but in normal view that's not visible.
I did experiment with this on how long I could expose and that was 5 minutes before it started to get unstable. But I have exposures of max 180 seconds due to my Bortle class. But all this really is due to the more then excellent EC of the mount.
Then I manually look through the FITS files if any are showing bad trails and so on and remove those. And then in DSS I use 100% of the captures.
So because of the excellent mount, no guiding for me. But also because of the small(er) FOV, which makes it harder to use an OAG because there are less stars in the FOV. So I can not tell you anything about guiding since I never used that.
And yes, the combination if off-putting .... but not impossible. It all depend on what you do with it and accept that certain things are out of reach. I know for example that objects like M33 will never be bright for me. The exposure time would simply be too long for me. So for me it just a matter of exposures between 30 and 180 seconds and then a lot of them to bring out detail. And process it good.
On the carry capacity limit of the mount. In general they are right: using a light traveling mount witch a scope and equipment that is at 55% of the limit (that's my set up), maybe is great for visual but for DSO APO not so much.
But there are always exceptions. In my case I have a SCT, so a short tube with a lot of front weight. And the mount is a Center Balanced Equatorial Mount. My scope is in balance when it is very far forward in the saddle of the mount, meaning that a lot of weight is shifted forward towards the center of the mount. But since it is a Center Balanced mount, this is no problem what soever. It would be different if you have an APO scope that is end heavy, meaning that the weight is shifted away from the center.
So, there you have it
As you can see I am very, very much a hands on guy and experiment a lot with things. Especially when "they" say that something is simply not possible, then I feel challenged to try. Not so that I can say to them that it is possible, but purely for myself. Nothing is impossible until proven by myself that it is
Menno